The Twelfth Journal Readers Conference
Current Issue
This issue contains a wide variety of information about recent performances, articles on aspects of Bruckner's works and their reception, and news of current and future events which will be of interest to Brucknerians.
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Upcoming Issue
The Bruckner Journal is published three times a year, in March, July and November - since 1997 - and is available by subscription only.
Volume Twenty-Eight, Number One will be published in March 2024. Should you wish to contribute an article, short essay, letter or comment to the Journal, on any Bruckner-related subject, please contact us.
After much delay due to the pandemic, The Bruckner Journal returned for the Twelfth Readers Conference
at Yale University in cooperation with the School of Music and
Prof. Paul Hawkshaw, co-editor of the New Anton Bruckner Complete Edition, and
co-sponsored by the Bruckner Society of America.
TWELFTH READERS CONFERENCE
7-8 April 2023
Yale University School of Music, New Haven CT, USA
PROGRAMME
Thursday, 6 April
Pre-concert conversation with Peter Oundjian & Paul Hawkshaw
Concert: Yale Philharmonia – Peter Oundjian, conductor
BRAHMS: Violin Concerto in D Major (Augustin Hadelich)
BRUCKNER: Symphony No. 7 in E Major (world premiere of the New Anton Bruckner Collected Works
Edition score, ed. Paul Hawkshaw)
Friday, 7 April
Session 1: Analytical Issues. Chair: Eric Lai
Benjamin Korstvedt: “Bruckner and the Art of Compositional Transformation”
Gabriel I. Venegas-Carro: “Early Renditions of the Adagio of Bruckner’s Second Symphony”
William Carragan presented by Benjamin Korstvedt: “The Microstructure of Bruckner’s Third Symphony”
Session 2: Bruckner in Austria. Chair: Michael Cucka
Malcolm Hatfield presented by Ken Ward: “Bruckner in Vienna: Eccentric, Naïve, or Sustaining his
Identity and Creativity?”
Felix Diergarten: “Anton Bruckner and the Sängerkrieg in Linz. Germanenzug in Musical Context.”
Saturday, 8 April
Session 3: New Areas of Research. Chair: Benjamin Korstvedt
Ken Ward: “The Oddness of Bruckner”
Clemens Gubsch: “Possibilities for Bruckner Research Through Digital Humanities”
Thomas Röder: “The Second Version of the Bruckner’s First Symphony”
Session 4: Bruckner in the New World. Chair: Paul Hawkshaw
Miguel Ramirez: “Bruckner reception in South America: The First Fifty Years, 1910-1960.”
Andrea Harrandt: “Bruckner's Road to America. The Early Reception of his Works in the United States”
Yale
Philharmonia
Yale
School of Music
Presenters
